Tasting excellence in the Hallowed Halls

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In midweek I had the great pleasure of attending a tasting given by the Scotch Malt Whisky Society for invited whisky bloggers at their lovely premises in Queen Street in Edinburgh. While I had visited their original home in Leith on previous occasions this was my first sight of the interior of their New Town rooms and I have to admit to being impressed on all levels. For this event we were directed to the top floor of the building to a well-appointed boardroom with superb views over Queen St Gardens and further to the Firth of Forth. Perfect timing as it was a suberb evening of soft sunshine highlighting the pink blossom which has been such a feature of this Spring. One of those nights when it’s good to be alive.

The purpose of the tasting was to sample the latest release of the Society’s bottlings which will be available this week, and it was gratifying to be invited to such company, particularly given the recent hiatus in our postings caused by upheavals in business and personal life for both Mike and me. The five malts concerned will each be accorded individual tasting posts here in the near future - all were very interesting and quite different from each other, and reflected the efforts of the Society’s tasting panel to provide quality for their members. I had a small disaster in that my Palm Pilot decided to ditch the tasting notes I made during the evening due to a battery problem - next time I’ll use old technology and write them down (if I can work out how to read my own writing!). Fortunately the Society provided a selection of their own panel members’ notes so I should be able to reconstruct mine before the memory fades too much.

The tasting group were warmly welcomed by the delightfully enthusiastic Jenny and Stephanie and the tasting was led by Olaf, who described how he had originally become the first overseas member and subsequently become more involved in the activities after moving over here, as well as later regaling us with stories of some of his many distillery visits. My thanks to all of them for an excellent night.

It was fascinating to hear the other bloggers talk about their own recent tastings and to discover how differently we all viewed the diverse tastes that we were presented with. It’s all too easy to concentrate on your own preferences and ignore some of the vast diversity of flavours available in our favourite drink and I’ll certainly be on the lookout for some of the whiskies mentioned during the evening.

Unfortunately Mike wasn’t able to attend, being on a business trip to London - he missed a fine selection of whiskies and a very convivial evening which I hope may be repeated in the future. I’m off to try writing up those tasting notes.

Ledaig - Mulling over the island differences

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Although I’ve still to finish off the first sweep of the standard Islay malts the only remaining one was heavily mentioned in my recent book review so I think it’s time to venture further afield on the west coast.

The island of Mull has always been one of my very favourite places, ever since a lovely holiday early in married life. I saw my only “in the wild” otter there and despite twice having car problems have only good memories of the place. However when I first visited, the little distillery in Tobermory was the one downside as it was mothballed and looking a bit down at heel. Thankfully it has since been revived and there are two versions of its output fairly readily available. One uses the modern name of that most picturesque of villages while the other uses the old name. This time round we look at the old one.

Ledaig - 10 years old, 40%

Colour

Pale straw

Nose

Spirity with just a hint of oiliness.

Taste

Initial taste
Soft and fairly dry. There is no particularly over-riding flavour - very little peat or smoke, although a taste of peat ash comes through after a couple of minutes. A mild lemon appears shortly after.

Later taste
Curiously this dram seems to get stronger the longer you leave it. A warmer richer taste replaces the lemon and the nose seems to become sharper. There are some brief notes of what might become floral but these are short-lived. There is also something that reminds me of some herbs but I haven’t been able to identify which ones as yet.

Finish

Medium length.

Conclusion

After having spent the last few months with the heavyweight Islays I’ve had to readjust my expectations. All single malts can’t be in the top 5% or be deep and challenging but that doesn’t make then unworthy of drinking at the right time. I may also have to retune my tastebuds because malts that other people describe as peaty seem to me to be devoid of that taste! ;-)

On the strength of this tasting, and I’d like to try it again, Ledaig appears to have little of the complexity of its more celebrated island cousins. This is a much simpler spirit, which in some ways echoes its Tobermory origins, clean, light and relaxing, but with an inate strength that underpins it. If you like the west coast or island style but balk at the salty and/or peaty superstars then this might just be for you.

Northern spirit and Spanish warmth - The Lasanta

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Like the earlier tasting of Blair Athol, this Glenmorangie expression arrived via my father and a good friend who knows his tastes. The Tain distillery have been in the forefront of special finishes and this one uses Spanish Oloroso Sherry casks. I’d heard Mike talking about one of their other finishes, the Quinta Ruban which uses Port casks, in enthusiastic terms so I was intrigued to discover what this would be like; especially when I realised that two days after opening it was already half empty! Perhaps though I should mention that this was partly due to a farewell toast to Jock Wilson, the oldest Normandy Veteran at 105, whose funeral had taken place that day, and at which dad had spoken eloquently.

Glenmorangie - The Lasanta -  46%

no age given other than the Sherry finish is after at least 10 years in Bourbon casks.

Colour

Rich dark-golden honey.

Nose

Warm, spirity, the sherry is quite noticeable but well-blended, hints of black treacle and perhaps a little peatier than expected for a Glenmorangie.

Taste

Initial taste
Rich, dark chocolate, treacle again, walnut, black raisins. The sensation seems to go across the top of the palate and down the back of the mouth.

Later taste
A little of the spirit edge comes off and leaves a lush, warm, enveloping taste. There is a hint of spice and bitter Seville oranges but with the bitterness masked by the sweetness of the sherry, while there is a suggestion that the treacle has changed to almost-licquorice.

Finish

Long, smooth and rich. Very relaxing. It’s hard to resist another glass!

Conclusion

In some ways quite unlike the standard Glenmorangie which is much lighter, this is a rich concoction suited to long evening discussions surrounded by wood panelling and a warm fire. However in other regards you can still detect the essential nature, which I’ve seen described as “soft and gentle”, providing the base for the darker richer layers which the sherry finish provides. Their advertising uses the “Glen of Tranquility” translation prominently and that is a perfect description of this excellent combination of Highlander and Spaniard.

No longer a compromise - Bowmore

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Bowmore used to be regarded in some quarters as piggy-in-the-middle; a bit of a compromise between the two extremes of the Islay tastes, but certainly in recent years this seems to me to be rather unfair. I’ve enjoyed it on a number of occasions, particularly since a visit to Islay some years ago, and Mike and I attended a tasting of three Bowmore bottlings in the Spring, but given the comparative nature of my current enquiries into Islay malts I was interested to see whether it would stand out as well as the others.

Bowmore 12 year old, 40%

Colour

Amber.

Nose

Peaty, warm soft smoke.

Taste

Initial taste
Again warm and smoky, an enveloping taste that seductively wraps itself around your tongue, leaving a comfortable feeling like the memories evoked by the still-warm remains of a peat fire.

Later taste
An unexpected sweetness briefly appears and then recedes again, replaced by hints of liquorice - but not too much. The alcohol tastes stronger than its rating, maintain the warmth. Some oak coming through the smoke. There is none of the saltiness of Bunnahabhain but it would be wrong to think of it as being one-dimensional as the peat smoke is a subtle thing, changing wraith-like in your senses and never quite allowing you to pin it down.

Finish

The intensity isn’t as long as you might expect - as the alcohol dies back it seems to take the main tastes with it - but the remnant background flavour remains in place for rather longer to remind you that another sip is waiting.

Conclusion

While very different from its neighbours it has a distinctive feel of its own. Perhaps not as complex as Lagavulin or Laphroaig nor as clean as Bruichladdich or Caol Ila, this is nevertheless a quality dram. Ideal for escaping a cold winter’s night. I know from experience that the 15 year-old is even better but that is for another tasting note. In my own preferences in this raft of tastings I’d say it is above Laphroaig and possibly Bunnahabhain, but below Caol Ila and Lagavulin. There would be times I’d prefer Ardbeg and others where I might prefer this Bowmore.

Rediscovering a class act - Lagavulin

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I remember, many years ago, trying Lagavulin a few weeks after finding Laphroaig too medicinal for my young palate, and quite liking it. However for some reason our paths have hardly ever crossed since then. Memory and changing tastes often play tricks so I was interested to see what my opinions of it would be now.

Lagavulin 16 year old, 43%

Colour

Deep amber

Nose

Oh, this is good. You can tell immediately. Warm, slightly salty.

Taste

Initial taste
Exactly like the nose, love at first sip. Brings to mind a warm summers day by the seashore with the grass warm under your feet. There’s a real feeling of mature quality; the fact that it’s older than the normal “standard” malts at 16 years old is very evident. It makes me wonder what the Laphroaig, which readers may remember I thought was not yet fully developed, would have been like at this age. I also wonder what the special 12 year old bottlings of Lagavulin will be like - I’ll definitely be finding out! Did I mention it was warm?

Later taste
The saltiness increases slightly, but not to excess as was threatened with the Bunnahabhain. A little caramel comes through, and increasing suggestions of sweet sherry. The sweet and the salty battle for supremacy but in the end they settle for parity in a balance that retains interest and vitality.

Finish

A strong distinctive finish that stays mostly at the front and sides of the tongue and lasts a long while.

Conclusion

This time the memory merely understated the quality - or the young tastebuds couldn’t yet appreciate it fully. I like this, a lot; better even than the Ardbeg and very close (though a rather different style) to the Caol Ila. It has something in common with Talisker in the rich complexity and saltiness. Perhaps a little more sherry and caramel than the Skye classic, perhaps not quite so many interwoven flavours, but very satisfying indeed. In my list of favourite standard single malts this has now taken a place in the top three - displacing Bowmore (which I’ll be reviewing next) and Highland Park - which is high praise indeed.

My only very slight concern is that any older versions might not be any better, as the sweet sherry flavours might take over, but I’ll happily try them out just in case!

Whisky Dreams - book review

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No whisky enthusiast needs to be told about Islay, the island that is so steeped in our favourite spirit that it seems to run in the very blood of the inhabitants. Equally we are all aware of the sad fate of many of Scotland’s famous old distilleries; mothballed or closed forever due to the boom and bust nature of the blended whisky market mixed in with the effects of prohibition and two world wars. So any reversal of fortune, any revival of a closed distillery is to be celebrated. Read more »